- posted on 21 June
- 9,219 notes
- like reblog
i don’t know how to explain to you people that no matter what a country’s government is like i do not and will not support the US indiscriminately bombing that country’s civilians and i don’t know why that’s a controversial take tbh
“oh iran is a dictatorship!” “oh palestine is homophobic!” i don’t care like literally i don’t care that’s not a problem to be solved by other countries blowing innocent people up
had an edible and am now explaining goncharov to the party guests
they've invented a minor character named ernesto who's only role is to follow goncharov around and say "nice one boss!" whenever he does anything. im so proud of them
I feel like boiling Ernesto Cagliari's role in the story down to "guy who follows Goncharov around and says nice one, boss!" Is really doing his character a disservice. Yes, he's a very on-the-nose parody of the sorts of nameless henchmen and "right hand men" that you see in other mafia media, but he's also a subversion of the trope who embodies the way that powerful men who surround themselves with yes-men eventually find themselves trapped in an echo chamber where they can't separate their own delusions of grandeur from the real world. The entire carnival chase sequence in Venice ends with Goncharov leading himself into a literal funhouse where he's trapped with an (actually nameless!) assassin and surrounded by distorted mirror Ernestos all equally unable to help him find the exit because all they can do at that point is encourage the boss's fruitless andmisguided efforts. It's only once Ernesto is killed by reality violently reasserting itself in the form of the assassin, and the funhouse mirrors are broken in the ensuing fight that Goncharov even begins to confront the immediate reality his actions have created and the broader reality of those people who live outside his self-important bubble.
had an edible and am now explaining goncharov to the party guests
they've invented a minor character named ernesto who's only role is to follow goncharov around and say "nice one boss!" whenever he does anything. im so proud of them
I feel like boiling Ernesto Cagliari's role in the story down to "guy who follows Goncharov around and says nice one, boss!" Is really doing his character a disservice. Yes, he's a very on-the-nose parody of the sorts of nameless henchmen and "right hand men" that you see in other mafia media, but he's also a subversion of the trope who embodies the way that powerful men who surround themselves with yes-men eventually find themselves trapped in an echo chamber where they can't separate their own delusions of grandeur from the real world. The entire carnival chase sequence in Venice ends with Goncharov leading himself into a literal funhouse where he's trapped with an (actually nameless!) assassin and surrounded by distorted mirror Ernestos all equally unable to help him find the exit because all they can do at that point is encourage the boss's fruitless andmisguided efforts. It's only once Ernesto is killed by reality violently reasserting itself in the form of the assassin, and the funhouse mirrors are broken in the ensuing fight that Goncharov even begins to confront the immediate reality his actions have created and the broader reality of those people who live outside his self-important bubble.
One of the stranger things about training brand new nurses is explaining how to min max small talk. It feels very weird to coach people on how to chat.
if I make and post an insanely detailed powerpoint on the twenty different equations I run mentally during casual conversation to make it flow better, everyone has to say that it's sexy and cool and not weird at all
idk tumblr rap discourse, i think dismissing the political importance of the genre that successfully popularized the slogan "fuck the police" might be unwise
cool should we talk first about the rampant misogyny or the glorification of drug use that has led to the stigmatization of people who take legitimate prescription medications
yeah we can talk about that
these issues are endemic to USAmerican culture and don't meaningfully trace back to rap in particular. pretending otherwise has obvious motives and "raising concerns" is a low-skill way to mask racism.
there. talk done.
With American Thanksgiving coming up, I'd like to remind everyone reading this that it's a day of mourning for the Wampanoag people. If you can, donate to help them preserve their culture, their language, and to fight for their legal rights and recognition.
If you live in the New England area, make a trip out to the Mashpee Wampanoag Tribal Museum. Hear the history of the First Thanksgiving from the people who were most affected by it. They go into detail of the events and cultural impacts of the first five years after the Mayflower's landing.
boo hoo the white house is so historic!
the united states paved over babylon to build a military base in iraq. like the actual ancient city of babylon
elbiotipo
You would think "the United States occupies the actual ancient city of Babylon" would be some kind of exaggeration but it's not.